Natalie and her MakingOf partner, Christine Aylward, were interviewed by an AMC host with spectacular hair. Christine talks about how she and Natalie met, which I don't think had been…

I know very few of you would have been able to attend, but at least several amateur videos have emerged from her appearance. There are 5 video's here, including that…

Even more new pictures today, this time of Natalie attending the launch of her "MakingOf" website last night in New York City.

Forbes conducted a video interview with Natalie and Christine Aylward. Being Forbes they focused a bit more on the financial side of things, with Natalie and Christine hoping that there…

Morning. It looks like we're set to have another busy day. Starting off now with 3 new additions to the Apple Store gallery that Rachel put up yesterday. These three…

MovieLine.com has a nice write-up on Natalie’s appearance at the Apple Store today. Make sure to stay for the last couple paragraphs. Yikes.

Most actors arrive at the Tribeca Film Festival attempting to sell their films. Natalie Portman arrived today to sell her Web site. She visited the Apple Store SoHo with Christine Aylward, her partner in the new behind-the-scenes filmmaking site MakingOf.com. Featuring interviews with everyone from Oscar-winning filmmakers (Ron Howard, Billy Bob Thornton) to composers, cinematographers and other below-the-line craftspeople, MakingOf is Portman and Aylward’s attempt to level the informational (and, eventually, communal) playing field for aspiring film professionals. Like if you ever wanted audition tips from Jason Bateman, followed by a casting director’s headshot suggestions? They’re on it.

“Pretty much everyone’s role on a film is indispensable — hundreds of people,” Portman told a packed house of media, filmmakers, and not a few heartsick admirers. (We’ll get to them.) “Like without a first [assistant director]? Without a good first AD? Your movie falls to pieces. And those are people who never, ever, ever get interviewed anywhere. And they make the movie. I feel like you could probably run a set better with a good first AD and no director than a good director and no AD. There are people like that who you never hear from, and we want people to have an idea about who these people are if they’re interested in filmmaking.
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