Another Dior Outtake
I've added another behind the scenes photo from Natalie's Dior campaign shoot to the gallery.
I've added another behind the scenes photo from Natalie's Dior campaign shoot to the gallery.
We’ve got a few more stills for you guys. I’ve updated the gallery with what I am assuming is a behind the scenes photo from the production of Natalie’s directorial debut, Eve.
New production stills from Natalie’s most recent films (The Other Woman, Black Swan, and No Strings Attached) plus a new (at least to me) still from Léon are after the jump.
Empire Magazine has a new promo photo from Thor and enough of this gruff hammer wielding bullshit, here's a simple head shot of Natalie as Jane Foster.
The Friday estimates are out and No Strings Attached has managed another strong hold to pull in $2.9 million yesterday for 3rd spot in the charts. The film will blow…
Some more really good smaller news items for you guys today. - In one of the really interesting behind the scenes documentaries for The Social Network, we see that Natalie…
Natalie was spotted out hiking with friends at Beachwood Canyon earlier today in Los Angeles. Candids courtesy of JustJared.
And it's possibly the best one yet. Gotta love that smile.
Formerly known as Love And Other Impossible Pursuits, The Other Women bows into a couple theatres this weekend after being available on Video On Demand since the start of the year.
– Let’s start with some really big praise from Richard Corliss from Time Magazine, who was one of the critics who didn’t fall for Black Swan.
Tahan’s collaboration helps Portman achieve a rare intimacy with the audience in what may be her subtlest and most beguiling performance yet. I won’t say the O word, but when she gets on stage to accept her Academy Award, I’ll be thinking of The Other Woman, not Black Swan, as the work she should be proudest of.
– A.O Scott from the NY Times, also has praise for Natalie but fell more on the mixed-to-negative side of the fence.
“The Other Woman” is absorbing — at times moving — but also frustrating, relying as it does on slackly staged, overacted, two-person scenes punctuated by uninspired New York montages.