People Magazine
Natalie makes an appearance in People Magazine's coverage of the Cannes Film Festival. Click the thumb below to view the gorgeous full sized version, along with a short article.…
Natalie makes an appearance in People Magazine's coverage of the Cannes Film Festival. Click the thumb below to view the gorgeous full sized version, along with a short article.…
Natalie's Harvard commencement speech is now online and, I'm kind of shocked. Natalie has never been the greatest of public speakers, but this is really great. It moves along…
Natalie is on the cover of The Guardian for an interview piece out of Cannes. Thankfully the online version is already up and can be viewed here. It’s clear…
The Australian version of The Daily Telegraph caught up with Natalie during her recent visit to Beijing for the Dior exhibition. It sounds like Natalie was in a really…
There are so many poll options to choose from but I'm going for something a bit odd. Natalie dropped out of Macbeth in order to film TOLAD. Both screened…
We have another video from Cannes, this time being interviewed by Dior. Thanks to Axwell.
Okay, let’s try and chip away at some of the outstanding Natalie content.
This Deadline interview has some great insight into TOLAD, Natalie admitting that she’s got a very busy period of acting coming up, and this interesting quote about producing.
It’s more about being able to create things for myself. It’s complicated when you’re just an actor, you’re subject to waiting for something good and for someone interesting to offer you something interesting. I’ve worked long enough to know there are certain waves and periods you don’t have the opportunities you’d like to so it really was born out of that. I am hoping to create things I’d be interested in, and makes me less passive in the process. I don’t believe my job as producer is to control. I have strong beliefs in the authority and leadership of the director. I really believe in the importance of that hierarchy.
This Variety interview has some talk of her new projects (Planetarium is up first and will be, at least in part, in French) and talk of the directors who helped her along the way.
Darren Aronofsky was great about reminding me to remember my reason for making it throughout the entire process, which was really helpful to always have the voice I had [from the beginning]. Terry Malick was very supportive, reminding me not to listen to anyone who was trying to make it more conventional. He said, “Don’t listen to people who tell you to have a three-act structure.” And Mike Nichols was very supportive. I had my dream team of people I was calling and asking for help.
Argh, there is so much Natalie news but I'm struggling to find the time to do updates. Here is a short and adorable video of Natalie after the screening…