Back to France
It seems that Natalie, Benjamin and the whole family will return to settle in Paris, after living there between 2014 and 2016…
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“May December” Screening in Paris
Natalie, director Todd Haynes and Cory Michael Smith attended a special screening of the film tonight in Paris, as the culmination of the Center Pompidou’s retrospective on Haynes. We have an image and a small video of the event:
(more…)Cannes Summary
The Cannes festival ended yesterday and unfortunately, there were no awards for May December. The film was very well received and the performances of Natalie and Julianne were recognized by all the critics, and that was the reward. The Todd Haynes-directed film was picked up by Netflix for distribution in North America, with expectations of promotion in the fall awards season. Meanwhile, we are going to make a compilation of videos and articles that have been seen these days:
(more…)More Cannes Photos
Natalie’s presence at the Cannes festival is giving us some of the most gorgeous photos of her in a long time. In this post we make a compilation of images taken last Friday, and an instagram post from Chopard in which we can see the jewels that she wore during the Premiere of the Jonathan Glazer film and the Chopard Trophy Gala:
(more…)Cannes Behind the Scenes
Dior has posted some gorgeous behind-the-scenes photos of the preparations leading up to the May December Premiere. Enjoy:
(more…)“May December” Clip
A clip of “May December” has been released this afternoon. A brief one minute scene in which we can see Natalie, Julianne and Charles Melton. Here it is:
(more…)“May December” Photocall & Press Conference
Natalie, Julianne Moore, Charles Melton and director Todd Haynes just attended the “May December” photocall and press conference. We have the pictures of the photo session and will add the…
May December: First Reviews & Reactions
The May December premiere tonight ended with an eight-minute standing ovation, according to Deadline. It seems that the first reviews of the film have been quite positive. Natalie and Julianne’s performances and the pitch’s fun, campy tone are lauded, along with the different layers in Haynes’ direction. It has probably become Natalie’s most praised film since Jackie. This is a small summary of them:
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